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cinema malco towne

In six films in nine years, the Harry Potter series was the rare film franchise that grew and improved. With Alfonso Cuaron's unusually organic third film, The Prisoner of Azkaban , as something of a visual anomaly, the series really found its footing with the past two entries — The Order of the Phoenix and The Half-Blood Prince — both directed by British television veteran David Yates. One of the chief pleasures of the series has been watching the lead actors — Radcliffe, Emma Watson as Hermione , and Rupert Grint as Ron — grow up on screen, and The Deathly Hallows: Part 1 pushes this trio into more adult territory, with violence begetting real blood and with intimations of sex. But mostly this first half of the series finale is a dutiful, too-grim procession of plot points, packed with so many MacGuffins — Hitchock's word for objects that drive the plot — that non-fanatics are sure to become confused trying to keep up with why and how all these things matter. More than any previous Potter film, this one feels directed toward devotees rather than casual fans — those who care deeply about the story arc rather than the happy diversions provided by magical business and colorful supporting characters.
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